CATCHING THE BUG OF SYNCHRONICITY
By Paul Levy
Synchronicities are those moments of
“meaningful coincidence” when the boundary dissolves between the inner and the
outer. At the synchronistic moment, just like a dream, our internal, subjective
state appears, as if materialized in, as and through the outside world. Touching
the heart of our being, synchronicities are moments in time in which there is a
fissure in the fabric of what we have taken for reality and there is a bleed
through from a higher dimension outside of time. Synchronicities are
expressions of the dreamlike nature of reality, as they are moments in time
when the timeless, dreamlike nature of the universe shines forth its radiance
and openly reveals itself to us, offering us an open doorway to lucidity.
Synchronicity was one of Jung’s most
profound yet least understood discoveries, in part because it cannot be
appreciated until we personally step into and experience the synchronistic
realm for ourselves. Jung’s discovery of synchronicity was in a sense the
parallel in the realm of psychology to Einstein’s discovery of the law of
relativity in physics. Because it is so radically discontinuous with our
conventional notions of the nature of reality, the experience of synchronicity
is so literally mind-blowing that Jung contemplated this phenomenon for over
twenty years before he published his thinking about it. Jung’s synchronistic
universe was a new world view which embraced linear causality while
simultaneously transcending it. A synchronistic universe balances and
complements the mechanistic world of linear causality with a realm that is
outside of space, time and causality. In a synchronicity, two heterogeneous
world-systems, the causal and acausal, interlock and interpenetrate each other
for a moment in time, which is both an expression of while creating in the
field an aspect of our wholeness to manifest. The synchronistic universe is beginning-less
in that we are participating in its creation right now, which is why Jung calls
it “an act of creation in time.”
To illustrate what he meant by the word
synchronicity, Jung brings up an experience he shared with a patient of his.
This particular patient was very caught in her head, and the analysis was
seemingly going nowhere. She was stuck, trapped in the self-created
prison of her own mind. Jung realized there was nothing he could do. In Jung’s
words, “I had to confine myself to the hope that something unexpected and
irrational would turn up, something that would burst the intellectual retort in
which she had sealed herself.” She had an impressive dream the night before, in
which someone offered her a golden scarab – a valuable piece of jewelry. At the
moment she was telling Jung the dream, there was a tapping on the office window.
Jung opened up the window and a scarabaeid beetle, whose gold-green color
closely resembles that of a golden scarab, flew into the room. Jung caught the
beetle in his hand, handed it to her and said “Here is your scarab.”
The shock of recognition in the
synchronistic moment, in which Jung’s patient realized her dream of the
previous night was being both literally and symbolically enacted in her waking
life, pierced through her resistance and cracked her defensive shell wide open.
At the moment of synchronistic transmission, a fundamental shift in perception
took place within her which inwardly transformed her and made her receptive in
a new way. From that point on, Jung commented, “The treatment could now be
continued with satisfactory results.”
There was no conventional, linear causal
link between the patient’s dream and the beetle tapping on the window the next
day. But there was clearly an equivalence and meaningful connection between the
two co-related events which was not based on linear causality In addition, the patient,
as an active, egoic agent in space and time, didn’t cause or create the
synchronicity, which was acausal and happened of its own accord. And yet, in
some mysterious way, the beetle tapping on the window was intimately related to
her.
To quote Jung, “Synchronicity is no more
baffling or mysterious than the discontinuities of physics. It is only the
ingrained belief in the sovereign power of causality that creates intellectual
difficulties and makes it appear unthinkable that causeless events exist or
could ever exist. But if they do, then we must regard them as creative acts,
as the continuous creation of a pattern that exists from all eternity, repeats
itself sporadically, and is not derivable from any known antecedents.” This
quote by Jung has an interesting footnote which adds the following,
“Continuous creation is to be thought of not only as a series of successive
acts of creation, but also as the eternal presence of the one creative
act.”
Synchronicities are cystallizations in
linear time of a nonlinear, acausal, atemporal process,
windows into the realm outside of time and space, a world in which we ourselves
are active participants in and of “the one creative act.” Synchronicities are
both timeless and temporal, which is to say they are possessed of a double
nature with regard to time. Synchronicities can be deeply religious and
mystical experiences, expanding our sense of who we imagine we are and
transforming our intimate relationship with ourselves.
Synchronicities are expressions of the
dreamlike nature of reality - like with Jung’s patient, our night dreams can
manifest in our waking life, but also in the sense that, just like with
our dreams at night, our inner process is given shape to through the seemingly
outer world. In a night dream, the seemingly outer dreamscape is synchronistically
reflecting the internal psyche of the dreamer, as the dream is not separate
from the inner world but is nothing other than the psyche within apparently
externalized. There is an instantaneous correspondence between the inner and
outer worlds not because they are two separate dimensions that are
communicating faster than the speed of light, but because they are inseparably
united as one seamless, already unified, whole continuum.
Being unmediated manifestations of the dreamlike
nature of reality, we can interpret synchronicities just like we would
interpret a dream. Mythologically speaking, a scarab is an archetypal symbol
which represents, as in ancient Egypt, death/rebirth and transformation. Gold symbolically
represents the highest value. Being offered a golden scarab in both her night
and waking dreams was a form of synchronistic notarization by the archetype,
highlighting its arrival on the scene. The synchronicity was an expression of -
as well as the doorway through which - Jung’s patient was personally enacting
an archetypal process of the renewal of consciousness. The
synchronicity bore the stamp of the excited archetype, revealing to her and
making real in time that she was actually taking part in a timeless, mythic
drama of death and rebirth. Catapulting her out of the limited frame of
reference of the conceptual mind, the synchronistic moment helped her access a
deeper part of herself, as well as re-connecting her to the universe at large in
which she lived.
Synchronicities are both the vehicle through
which and an expression of the fact that we are waking up to the dreamlike
nature of the universe. Being genuine wake up calls from the awakened part of
ourselves, synchronicities are emanations of the part of ourselves that is
waking up projected into time.
What I call the “deeper, dreaming Self,” is
the part of us that is the dreamer of both our night and waking dreams. Being
“nonlocal,” which is to say not bound by the conventional laws of space and
time, as well as being multi-dimensional, the deeper, dreaming Self can
simultaneously express itself through inner experiences such as inspirations
and dreams as well as by attracting events in the seemingly outer world so as
to coagulate itself in embodied form.
The deeper, dreaming Self was simultaneously
the dreamer of the golden scarab in the patient’s night dream, the inspiration
for her to tell Jung the dream in their session, the source of the beetle which
was tapping on the window at exactly the right moment, the impulse which
animated Jung to open the window, catch the beetle, offer it to his patient and
say what he said, as well as the patient’s inner, revelatory experience of
transformation which was the result. Being multi-faceted and multi-channeled,
the deeper, dreaming Self nonlocally arranged all these dimensions enfolded
within the field into a singular psycho-physical experiential gestalt in which
the oneness of spirit and matter became visible.
Interestingly, the synchronicity with Jung and his patient
was an experience in which Jung himself played an active, participatory role.
As the synchronistic moment was irrupting into time, he found himself dreamed
up by his patient to pick up and play out a role in her dreaming process. At the moment of synchronicity, Jung went from passively
sitting in the audience hearing about her process to being drafted into the act and stepping
into a scene in the play of his patient’s mind. Not merely witnessing his patient’s
synchronicity, he found himself spontaneously enacting it with her, playing his
part and saying his lines perfectly, as if sent by central casting.
In offering her the precious jewel of a golden scarab symbolizing death and
rebirth, Jung spontaneously found himself being an open instrument for the
synchronistic universe to manifest itself through him into materialized form
and express itself in our world.
Jung and his patient were reciprocally collaborating
in dreaming up their shared synchronistic event together. They became “quantum
entangled,” interdependently and inseparably merged in the co-creation of each
other’s synchronicity. The synchronicity was not monopolized by Jung’s patient,
as it didn’t solely belong just to her. Participating in his patient’s
synchronicity, Jung was at the same time just as much having a living
experience in and of his own synchronicity. Even though the synchronicity was a
reflection of his patient’s inner landscape, it was simultaneously a synchronistic
reflection of a deeper process taking place within Jung, too. For Jung to
be hearing a patient’s dream of a golden scarab and to have a golden scarab fly
into his office was an externalized, synchronistic reflection of the archetypal
process of death and rebirth which was happening
inside of him. It is noteworthy that a synchronistic event can collectively
reflect and be mutually shared by more than one person in both similar and
singularly unique ways.
To experience a synchronistic event is to
necessarily be changed at our core. No one could have convinced Jung’s patient
that her synchronistic experience should be dismissed as a mere coincidence, as
she had an inner knowing of its meaningfulness due to how it transformed her.
She no longer lived in a dis-enchanted universe.
Synchronicities by their very nature demand
our active participation, as they are not something we can just passively watch
and remain unaffected by. Imbued with a deeper fragrance of meaning, a
synchronistic event is a revelation which contains within it a potency to
insinuate itself into our very being and alter us from within. Synchronicities
can transform us on a cellular level, as they are crystallizations into and out
of the space of consciousness itself that have form-ulated themselves into our
dimension as an expression of the part of us that is already awakened.
Synchronicities inherent revelatory nature is ultimately offering us the
realization that we are playing an active, participatory and hence, co-creative
role in the unfoldment of the universe.
Registering the revelation embedded in the
synchronistic moment is to necessarily have an expansion of consciousness, as
the lens through which we view, interpret and place meaning on the nature of
our experience has broadened by and through the very synchronicity itself.
Because it is rich in the nutrient of meaning, a synchronistic event affects
and deepens our state of awareness and perception, which is another way of
saying that synchronicities are expressions of consciousness itself. Just like
symbols in a dream, synchronicities do not exist objectively, separate from our
own mind.
Synchronistic moments feel like grace, as
they induce in us the feeling that we are right where we are supposed to be.
Being numinous, synchronicities have a strong feeling component and emotional
charge, which is both an expression of while simultaneously flowing into,
influencing and altering the surrounding field of consciousness. A manifestation
of the field as a whole, synchronicities are a field phenomenon, and to receive
their full blessing we need to relate to them as such. Synchronicities are a reflection
of the deeper, underlying nonlocal field of consciousness waking up to itself
through us. The gift of synchronicity cannot be realized from the point of view
which imagines we exist as a separate person who is “other” than the field in
which we are arising. Jung and his patient’s shared synchronistic event was a
living experience of being connected to something greater than themselves. Synchronicities
are acute outbreaks of the archetypal, collective mind-field crystallized into
our personal sphere through the third-dimensional medium of time and space.
Synchronicities are glimpses of
transcendental unity, what in Latin is called the “unus mundus,” the one world.
The unus mundus is the unitary and unifying realm which underlies, pervades and
contains all dimensions of our experience. The unus mundus, just like the
deeper, dreaming Self, is a psycho-physical reality, a universe beyond time and
outside of space in which psyche and matter are inseparably co-joined as interconnected
parts of a deeper, unified field. The unus mundus is a world in which we have already
woken up. It is a realm beyond duality, beyond the opposites, beyond even the
concept of beyond. In the unus mundus, opposites like matter and psyche form
the outer and inner aspects of the same transcendental reality. Revealing its
designs through events in the outer world as well as the psychic landscape
within, the unus mundus is actualizing itself in time as we divine our
wholeness through the synchronistic clues encoded within the fabric of
experience itself.
Paradoxically, synchronicities are a living,
unmediated materialization of our unconscious, while simultaneously being a
nonlocalized manifestation of the part of us that’s waking up into a more
expanded consciousness. Like a genuine symbol, synchronicities are utterances
of the soul, as they contain, are an expression of and unite the opposites.
Synchronicities are soul-making in action.
ARCHETYPES
Synchronicities occur when we step out of
the personal dimension of our experience and access what is called the
archetypal dimension of experience. If we are absorbed in and identified with
the person-alistic perspective, we person-alize our experience, imagining we
exist as a separate person isolated from the space around us. We thus become
entranced into a particularized point of view which develops a seemingly
autonomous life of its own and becomes a self-reinforcing feedback loop, a true
“self” fulfilling prophecy. To become identified with the fixed reference point
of the separate self limits our freedom, entraps our creative potency and
hinders our compassion. To the extent we recognize the dreamlike nature of our
situation, however, we step out of a person-alistic and reductive viewpoint based
on linear causality (i.e., the perspective of the illusory skin-encapsulated
ego) into a more archetypal perspective in which we find ourselves playing
roles in an eternal, mythic and divine drama of incarnation.
The synchronicity with Jung’s patient was
revealing something not just about her inner, personal process, but was a revelation of a deep, archetypal process which exists within the collective unconscious itself. The
synchronicity was simultaneously revealing a dynamic which is both personal and
collective – it is at the moment of being truly deadlocked that a deeper
archetypal dynamic within the psyche becomes activated and nonlocally expresses
itself synchronistically in and through the canvas of the seemingly outer
world, as well as within ourselves. To quote Jung, “The patient with the scarab
found herself in an ‘impossible’ situation because the treatment had got stuck
and there seemed to be no way out of the impasse…It is this kind of situation
that constellates the archetype with the greatest regularity.” What is true
individually is also true collectively - when we, as a species, find ourselves
in an “impossible” situation with no exit plan, it is this very kind of dilemma
which constellates the healing and revelatory archetypal realm to become synchronistically
activated.
Though it sounds like a big, fancy word, an
“archetype” is something we all experience and know intimately from the inside.
Indefinable, an archetype is like a psychological instinct or informational
field of influence which patterns our psyche, our experience of the world
around us and how we experience ourselves. Jung calls archetypes “typical modes
of apprehension.” An archetype is like the underlying grid-line or blue print
which in-forms and structures how we perceive, interpret and respond to our
experience.
The personal dimension literalizes our
experiences, while the archetypal dimension symbolizes, mythologizes and dreams
into our experiences with the utmost creative imagination. Archetypes are the
image-making factor in the psyche, informing and giving shape to the images in
our mind and the dreams of our soul, and as such, they insist on being
approached imaginatively.
When an archetype gets activated within us, it
nonlocally constellates itself outwardly in the surrounding field. Conversely,
when an archetype is activated in the seemingly outer field, it simultaneously
constellates and is a synchronistic reflection of the same activated archetype
within ourselves. An activated archetype’s magnetic field-of-force orders and
organizes the entire field to synchronistically re-arrange itself so as to
embody the archetype “in form.” The archetype is thus pure inform-ation. Archetypes
nonlocally exert their in-forming influence through the frictionless and super-fluid
medium of the collective unconscious itself. The archetypal, synchronistic
realm vaporizes illusory boundaries – revealing spirit - and builds bridges
which mediate and connect the inner and the outer, the conscious and the
unconscious, and dreaming and waking.
Synchronicities occur at times of deep
archetypal excitation in the field, which is to say moments of crisis,
transition, creative tension and dynamic intensity. The archetype that gets
activated by the field precipitates itself into the field as a synchronistic
expression of the very field which activated it. Periods of disturbance in our
world are both a manifestation of and trigger for a corresponding archetype in
the collective unconscious of humanity to draw to itself everything it needs to
synchronistically render itself visible in form. Times of distress, both
individually and collectively, catalyze a deeper, self-regulating and healing
archetypal process to awaken within the human psyche which
simultaneously expresses itself throughout the whole universe.
There is a profound and intimate synchronistic
correlation between what is happening deep within the collective unconscious of
humanity and what is playing out collectively on the world stage. Just like a
dream, whatever we are unconscious of gets dreamed up and out-pictured in and
as our waking dreamscape. What plays out in one person’s night dream is a
reflection of their inner process; similarly what is getting dreamed up by
all six and a half billion of us on the world stage is a reflection of a process going on deep inside of the collective unconscious of
humanity.
When a formless archetype of the collective
unconscious is at the point of becoming conscious and incarnating, it has an
energetic charge that will seize people, get them in its grip and
compel them to act itself out so as to give shape and form to itself. What we are
unconscious of and don’t remember, we act out in the outside world.
Like the underlying, invisible axial system
is the skeleton of an emerging crystal, the archetypes of the collective
unconscious in-form, pattern and structure our unconscious itself. The inner
archetypal dimension is revealing itself by influencing and animating our
unconscious, causing us to act out and give shape to the archetypal realm in
the world theater. This is happening both individually and collectively on the
world stage.
Archetypes can possess individuals or whole
nations. Archetypes bedazzle consciousness in such a way that it becomes blind
to its own assumed standpoint. When an archetype takes over a person, group or
nation, they can be said to be the incarnation or the revelation of the
formless, transpersonal archetype in human form, as they synchronistically em-body
and mirror back to us this archetypal dynamic which exists deep inside of all
of us. When the archetypal realm incarnates, something of the eternal,
imperishable dimension synchronistically reveals itself to us as it enters the
realm of time and embodiment. Synchronicities are revelations in the nick of
time. As our present moment in time indicates, whether we continue to destroy
ourselves or wake ourselves up depends upon whether or not we recognize what is
synchronistically being revealed to us.
What we don’t remember, we aren’t associated
with. Our dis-memberment from our experience and dis-association from a part of
ourselves polarizes and empowers our split-off part to project itself outside
of ourselves and express itself by acting itself out in the outside world. We will
either become possessed by our split-off part and unconsciously act it out in
the world, or we will project it out so that we dream up the
seemingly outer universe to act it out for us. This is another way of saying
that our waking universe is a function of our consciousness, or lack thereof.
When an archetype synchronistically manifests
itself in full-bodied form in the outside world, its full blown localized
revelation in time is necessarily correlated to - and an unmediated
manifestation of - a more fundamental, nonlocal condition which simultaneously
exists both outside of time and inside the timeless part of ourselves. An
archetype synchronistically revealing itself in the outside world is a
reflection that this same condition is in the process of being
inwardly realized. The outer, synchronistic materialization of the inner,
archetypal process is itself the vehicle through which the archetypal
process both actualizes itself in space and time and
is inwardly realized.
The spirit that animates synchronicities, if
we can speak of such immaterial matters, is the same spirit which inspires our
dreams at night. This spirit, the aforementioned “unus mundus” or “deeper,
dreaming Self,” is dreaming our dreams at night, our life during the day, as
well as ourselves. The unus mundus/deeper, dreaming Self arranges situations in
our life, both micro and macrocosmically as a way of synchronizing itself,
which propels us into greater alignment with the implicate field of open
possibility, as we refine and re-find ourselves in each moment anew. To the
extent we realize the dreamlike nature of reality, the universe becomes a
continually unfolding oracle as we become a revelation to ourselves.
In a synchronicity, the conjunction of two
cosmic principles, namely psyche and matter, takes place, and in the process a real exchange of attributes occurs as well. In such
situations the psyche behaves as if it were material and matter behaves as if it
were an expression of the psyche. Synchronicities are emanations of the sacred
marriage in alchemy, where the opposites of spirit and matter reciprocally inform
each other as they unite in a timeless embrace.
Instead of orienting ourselves one-sidedly just
to the spiritual to the exclusion of matter, or material matters disconnected
from spirit, Jung felt that the psychological/spiritual task of our unique time
in history is to live and incarnate the realization of the unity of spirit and
matter which synchronistic events are revealing to us. Instead of, or in
addition to the spirit coming down from the heavens above, spirit’s guidance is
emerging and rising up from within matter itself and is waiting to be
recognized.
Subjectively, synchronistic phenomena evoke
in us the feeling that we are not alone, that there is a silent partner that we
share our lives with who is dreaming with us. It is as if there is an
autonomous factor deep within us arranging our experiences so as to help us to wake
up. Part and parcel of a synchronistic event’s numinosity is its sense of
meeting the “wholly other,” whether it be within ourselves or through the
medium of the outside world. Paradoxically, through synchronicities we connect
with ourselves by becoming introduced to the part of ourselves which is other
than who we imagine ourselves to be.
Recognizing the synchronistic matrix which
patterns our experience empowers us to be creative, co-operative and active
partners in our own awakening process. The more we are open for synchronicities
to happen, the more they happen, for synchronicities, just like symbols in a
dream, are not separate from the dreamer, which in this case is us. To the
extent we recognize the dreamlike nature of our waking universe is the degree
to which our life is experienced as synchronistic. Once we become lucid in our
waking dream and recognize that we live in a synchronistic universe by our very
nature, the universe has no choice but to shape-shift and reflect back our
realization by materializing itself synchronistically.
Being initiatory rites of passage, synchronicities
empower us to view life synchronistically. Seeing through synchronistic eyes
has nothing to do with overlaying a fabricated interpretation upon events to
make them appear as if they are synchronistic. Seeing synchronistically simply
involves recognizing the underlying synchronistic web which is always weaving
itself through our experience. This is analogous to how being inside of a night
dream and viewing the dream as if it were a dream would have the instantaneous
effect of allowing the dream to more profoundly manifest its dreamlike nature.
Changing our perspective within the dream didn’t cause the dream to become a
dream; the dream had always been a dream, we just hadn’t recognized it before. Similarly,
we live in a synchronistic universe, and by recognizing this, we allow the
universe to manifest itself more synchronistically.
Synchronicities are like “cultures” from
another dimension which create and enrich culture in ours. Like a bug in the
system, synchronicities are cultures which virally propagate themselves through
the field of consciousness, which means that synchronistic awareness is
contagious. Synchronistic awareness, the consciousness that recognizes the
synchronistic nature of the universe and has become lucid in the dream of life,
is something we can turn each other onto and catch from one another. Synchronistic
awareness is the invocation and revelation of the “eternal presence of the one
creative act” in which we are all continually sharing, partaking and
participating. Synchronistic awareness activates and reproduces itself in and
through the field, as it is self-generating in nature, which is to say it is
birthing itself through our consciousness into the world.
Just like Jung, we can help each other catch
the “bug” of synchronicity. We can co-operatively cultivate a net-work of
allies who creatively collaborate in bringing forth the precious jewel of
synchronicity. The archetypal field becomes greatly potentiated for
synchronicities when we get “in sync” with other people who are also waking up
to the synchronistic universe. A field which is lubricated for stimulating and
stabilizing lucidity gets conjured up when we get in phase with each other
through the shared, open heart of synchronistic awareness. Co-operatively
engaged, synchronistic awareness activates our collective genius and creates true
culture in that it effortlessly, endlessly, nonlocally and virally transmits
and fractally reiterates itself throughout time and space. Shared synchronistic
awareness magnetically draws and attracts the universe into itself,
materializing itself in, as and through life itself, creating a revelatory
universe in the process.
Paul
Levy is an artist and a
spiritually-informed political activist. A pioneer in the field of spiritual
emergence, he is a healer in private practice, assisting
others who are also awakening to the dream-like nature of reality. He is the
author of The Madness of George Bush: A Reflection of Our Collective
Psychosis, which is available on his website www.awakeninthedream.com. (See the
first chapter, The
Madness of George W. Bush: A Reflection of our Collective Psychosis). Please
feel free to pass this article along to a friend if you feel so inspired. You
can contact Paul at paul@awakeninthedream.com;
he looks forward to your reflections. © Copyright 2008