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Acoustic Levitation Of
Stones
by Bruce Cathie
 
Monastery construction, Tibetan style
according to Swedish Designer
Henry Kjellson
The steep mountain side is on the right. In the
centre is the stone block, and on the left are the priests and
musicians. S=big drum, M=medium drum, T=trumpeter. Inset shows
method of suspending drum, and gives an idea of its size. As shown
here, Kjellson says, the 200 priests are waiting to take up their
positions in straight lines of 8 or 10 behind the instruments, 'like
spokes in a wheel.' Unlikely as it may seem, this operation has an
intriguing precision, made slightly more so by Kjellson's
meticulously detailed description.
Tibetan Monks levitate stones by using an acoustic levitation
technique with the aid of drams in this 1939 sketch by Swedish
aircraft designer Henry Kjellson.
A New Zealand scientist recently gave me an intriguing extract from
an article published in a German magazine, relating to a
demonstration of levitation in Tibet. After obtaining a translation
by a German journalist, in English, I was amazed at the information
contained in the story, and was surprised that the article had
slipped through the suppression net which tends to keep such
knowledge from leaking out to the public.
All the similar types of
stories that I had read up until now were generally devoid of
specific information necessary to prove the veracity of the account.
In this case a full set of geometric measurements were taken, and I
discovered, to my great delight, that when they were converted into
their equivalent geodetic measures, relating to grid harmonics the
values gave a direct association with those in the unified harmonic
equations published in my earlier works.
The following extracts are translations taken from the German
article: 'We know from the priests of the far east that they were
able to lift heavy boulders up high mountains with the help of
groups of various sounds... the knowledge of the various vibrations
in the audio range demonstrates to a scientist of physics that a
vibrating and condensed sound field can nullify the power of
gravitation. Swedish engineer Olaf Alexanderson wrote about this
phenomenon in the publication. Implosion No. 13.
The following report is based on observations which were made only
20 years ago in Tibet. I have this report from civil engineer and
flight manager, Henry Kjelson, a friend of mine. He later on included
this report in his book, The Lost Techniques. This is his report:
A Swedish doctor, Dr Jarl, a friend of Kjelsons, studied at Oxford.
During those times he became friends with a young Tibetan student. A
couple of years later, it was 1939, Dr Jarl made a journey to Egypt
for the English Scientific Society. There he was seen by a messenger
of his Tibetan friend, and urgently requested to come to Tibet to
treat a high Lama.
After Dr Jarl got the leave he followed the messenger and arrived
after a long journey by plane and Yak caravans, at the monastery,
where the old Lama and his friend who was now holding a high
position were now living.
Dr Jarl stayed there for some time, and because of his friendship
with the Tibetans he learned a lot of things that other foreigners
had no chance to hear about, or observe.
One day his friend took him to a place in the neighborhood of the
monastery and showed him a sloping meadow which was surrounded in
the north west by high cliffs. In one of the rock walls, at a height
of about 250 meters was a big hole which looked like the entrance
to a cave. In front of this hole there was a platform on which the
monks were building a rock wall. The only access to this platform
was from the top of the cliff and the monks lowered themselves down
with the help of ropes.
In the middle of the meadow, about 250 meters from the cliff, was a
polished slab of rock with a bowl like cavity in the centre. The
bowl had a diameter of one meter and a depth of 15 centimeters. A
block of stone was maneuvered into this cavity by Yak oxen. The
block was one meter wide and
one and one-half meters long. Then 19 musical instruments were set
in an arc of 90 degrees at a distance of 63 meters from the stone
slab. The radius of 63 meters was measured out accurately. The
musical instruments consisted of 13 drums and six trumpets.
(Ragdons).
Eight drums had a cross-section of one meter, and a length of one
and one-half meters. Four drums were medium size with a cross-section
of 0.7 meter and a length of one meter. The only small drum had a
cross-section of 0.2 meters and a length of 0.3 meters. All the
trumpets were the same size. They had a length of 3.12 meters and an
opening of 0.3 meters. The big drums and all the trumpets were fixed
on mounts which could be adjusted with staffs in the direction of
the slab of stone.
The big drums were made of 3mm thick sheet iron,
and had a weight of 150 kg. They were built in five sections. All
the drums were open at one end, while the other end had a bottom of
metal, on which the monks beat with big leather clubs. Behind each
instrument was a row of monks. The situation is demonstrated in the
following diagram:
When the stone was in position the monk behind the small drum gave a
signal to start the concert. The small drum had a very sharp sound,
and could be heard even with the other instruments making a terrible
din. All the monks were singing and chanting a prayer, slowly
increasing the tempo of this unbelievable noise. During the first
four minutes nothing happened, then as the speed of the drumming,
and the noise, increased, the big stone block started to rock and
sway, and suddenly it took off into the air with an increasing speed
in the direction of the platform in front of the cave hole 250
meters high. After three minutes of ascent it landed on the
platform.
Continuously they brought new blocks to the meadow, and the monks
using this method, transported 5 to 6 blocks per hour on a parabolic
flight track approximately 500 meters long and 250 meters high. From
time to time a stone split, and the monks moved the split stones
away. Quite an unbelievable task.
Dr Jarl knew about the hurling of the stones. Tibetan experts like
Linaver, Spalding and Hue had spoken about it, but they had never
seen it. So Dr Jarl was the first foreigner who had the opportunity
to see this remarkable spectacle. Because he had the opinion in the
beginning that he was the victim
of mass-psychosis he made two films of the incident. The films
showed exactly the same things that he had witnessed.
The English Society for which Dr Jarl was working confiscated the
two films and declared them classified. They will not be released
until 1990. This action is rather hard to explain, or understand. :
End of trans."
The fact that the films were immediately classified is not very hard
to understand once the given measurements are transposed into their
geometric equivalents. It then becomes evident that the monks in
Tibet are fully conversant with the laws governing the structure of
matter, which the scientists in the modern day western world are now
frantically exploring. It appears, from the calculations, that the
prayers being chanted by the monks did not have any direct bearing
on the fact that the stones were levitated from the ground.
The
reaction was not initiated by the religious fervor of the group,
but by the superior scientific knowledge held by the high priests.
The secret is in the geometric placement of the musical instruments
in relation to the stones to be levitated, and the harmonic tuning
of the drums and trumpets. The combined loud chanting of the
priests, using their voices at a certain pitch and rhythm most
probably adds to the combined effect, but the subject matter of the
chant, 1 believe, would be of no consequence.
The sound waves being generated by the combination were directed in
such a way that an anti-gravitational effect was created at the
centre of focus (position of the stones) and around the periphery,
or the arc, of a third of a circle through which the stones moved.
If we analyze the diagram published with the original article, then
compare it with the modified diagram, we become aware of the
following coordinates, and the implications, when compared with my
previously published works.
The distance between the stone block and the central pivot of the
drum supports is shown as 63 meters. The large drums were said to be
one and one half meters long, so the distance from the block to the
rear face of each drum could be close to 63.75 meters considering
that the pivot point would be near the centre of balance. My
theoretical analysis, by calculator, indicates that the exact
distance would be 63.7079 meters for the optimum harmonic reaction.
By mathematical conversion we find that this value is equal to
206.2648062 geodetic feet, which is harmonically equal to the length
of the earth's radius in seconds of arc (relative to the earth's
surface) 206264.8062.
This also leads us to the following
associations: (206.2648062 x 2) = 412.5296124
This number squared: =
170180.68 which is the theoretical harmonic of mass at the earth's
surface.
The four rows of monks standing behind the instruments in a
quarter circle added to the production of sound by their loud
chanting and must be taken in to account in regards to the geometric
pattern. If we assume that they were standing approximately two feet
apart, we can add a calculated value of 8.08865 geodetic feet to the
radius of the complete group. This gives a maximum radius of:
214.3534583 geodetic feet.
The circumference of a complete circle with this radius would
be:1346.822499 geodetic feet. Which is a half harmonic of:2693.645
(unified field) The distance from the stone block to a calculated
point within the cliff face and the height of the ledge on the cliff
face from ground level is given as 250metres. If we can now imagine
that the raised stone blocks pass through a quarter arc of a circle
during their flight from ground level to the hole in the cliff face,
then the pivot point of the radius would be coincident with
this position. See diagram. The theoretical radius was found to
be:249.8767262 meters which very closely approximates the
estimate. This converts to:809.016999 geodetic feet. The diameter of
the full circle would therefore be:1618.034 geodetic feet.
A circle with this diameter has a circumference of 5083.203728
units, which can be divided into three even lengths of 1694.4. It
therefore appears that the levitated blocks, once resonated to a
certain frequency, would tend to carry out a flight path that is
coincident to one third of a circle. The spatial distance being
equivalent to the mass harmonic at the centre of a light field,
1694443.
The instruments used by the group, in theory, would also have been
tuned to produce harmonic wave forms associated with the unified
fields. The given measurements are in rounded off parts of a meter
but in practice some slight variations from these measurements would
be expected in order to create the appropriate resonating cavities
within the instruments. The geometric arrangement, and the number of
instruments in the group would also be a most important factor.
If the given measurement for each type of drum is modified
fractionally and converted to its geometric equivalent an
interesting value for the cubic capacity is evident.
The large
drums:
1.517201563 meters long, 1.000721361
meters wide
= 58.94627524
geodetic inches long, 38.88 geodetic inches wide.
= 69984 cubic
geodetic inches capacity
= 40.5 cubic geodetic feet capacity.
Therefore the cubic capacity for eight drums:
= 324 cubic geodetic feet.
This harmonic value is built into the world grid and is equal
to half the harmonic 648.
The medium sized drums:
1.000721361 meters
long, 0.695189635 meters wide
= 38.88 geodetic inches long,
27.00948944 geodetic inches wide
= 22276.59899 cubic geodetic inches
capacity
= 12.89155034 cubic geodetic feet
capacity.
Therefore the
cubic capacity for four drums:
= 51.56620136 cubic geodetic feet.
14.97414932 centimeters
= 5.895334377 inches
-5.817764187 geodetic inches = 0.484813682 geodetic feet.
As the dish-shape was focused upwards towards the stone block to
be levitated it would be expected that some type of reaction would
take place which had an effect on the mass. The geometric shape of
the cavity does seem to be engineered in such a way that the
projected frequency vortex causes a reciprocal reaction to the mass
harmonic of each block.
The reciprocal of: 0.484813682
= 2.062648055
Twice this value:
= 4.12529611
The square of this value:
= 17.018068
(the harmonic of mass at the earth's surface, 17018068)
I believe that there is not much doubt that the Tibetans had
possession of the secrets relating to the geometric structure of
matter, and the methods of manipulating the harmonic values, but it
we can grasp the mathematical theory behind the incident, and extend
the application, then an even more fascinating idea presents itself.
In my last book I mentioned the flying machines described in ancient
records, that flew through the air with a melodious sound, and
theorized that the sonic apparatus was tuned to the harmonic unified
equations.
Now the Tibetans have given us a direct indication of how to
construct a sonically propelled anti-gravitational flying machine.
All that is necessary is to complete the circle of sonic generators,
indicated by the drums, trumpets, etc., and we have a disc which
creates an anti-gravitational lifting force at the centre, (see
diagram 23).
To create this diagram I made four photo-copies of the original
illustration showing the arrangement of drums, trumpets etc. and
then cut out the 90 degree segments and fitted them together into a
circular pattern. This was then photo-copied a second time in the
relationship with a disc-shaped vehicle. When the circular pattern
was formed it became evident that the Tibetans had placed the drums
and trumpets on the arc of a quarter circle, but the placement of
the Priests behind the drums tended to form a spiral. This conforms
with the concept of the formation of matter due to the spiralling, vortexual, wave motions in space, discussed in my earlier
works. Similar wave motions would have to be created in order to
manipulate matter.
The inner diameter of the sonic generators in the theoretical
vehicle would be 412.5296 geodetic feet, with the previously
described harmonic associations. The outer diameter, estimated from
the placement of the Tibetan priests, would be 428.7069166 geodetic
feet. If we square the inner diameter we have the harmonic of mass
17018068 relative to the earth's surface, and the outer diameter
would give a circumference tuned to the unified equation. The lift
vectors through the centre would resonate at
harmonic frequencies in opposition to the mass value at the centre
of a unified, or light, field = 1694443.
From this it would appear that a vehicle could be constructed that
would resonate at frequencies in sympathy with the unified fields
demonstrated throughout this work.
It is my opinion that our own scientific establishments are far
ahead in this type of research, and that many experimental vehicles
have already been constructed. High frequency generators have
probably taken the place of the low frequency sonic methods, and
electronic systems produced which would allow complete control of
movement.
With this type of research going on, I would say that the days of
the conventional aeroplane are numbered.
DIAGRAM 22
Showing relationship of Priests, drums and stone blocks, to the hole
in the cliff face.
DIAGRAM 23
Diagram showing how the geometric pattern of sonic generators
created by
the Tibetan Monks can be combined in a circular, or disc,
shape,
the resultant forces of the harmonic fields set up would
combine into a doughnut shapedanti-gravitational field
which would
levitate the disc, or vehicle.
412.5296 squared = 170180.68 = mass harmonic
428.7069166 diameter =
circumference of 1346.822499
= half harmonic of 2693.645 (unified equation)
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